Theory of Colours

Translator's Preface and Preface to the First Edition

Episode 1 · 29:04

Introduction

Episode 2 · 16:11

Part I - Physiological Colours Section 1 - Effects of Light and Dark on the Eye

Episode 3 · 5:12

Section II - Effects of Black and White Objects on the Eye

Episode 4 · 13:32

Section III - Grey Surfaces and Objects; Section IV - Dazzling Colourless Objects

Episode 5 · 9:19

Section V - Coloured Objects

Episode 6 · 13:39

Section VI - Coloured Shadows

Episode 7 · 12:43

Section VII - Faint Lights; Section VIII - Subjective Halos

Episode 8 · 8:55

Pathological Colours - Appendix

Episode 9 · 14:15

Part 2 - Physical Colours - Section IX - Diotropical Colours

Episode 10 · 6:19

Section X - Diotropical Colours of the First Class

Episode 11 · 18:55

Section XI - Diotropical Colours of the Second Class - Refraction

Episode 12 · 8:10

Subjective Experiments - Section XII - Refraction Without the Appearance of Colour; Section XIII - Conditions of the Appearance of Colour

Episode 13 · 7:13

Section XIV - Conditions Under Which the Appearance of Colour Increases

Episode 14 · 5:23

Section XV - Explanation of the Foregoing Phenomena

Episode 15 · 12:01

Section XVI - Decrease of the Appearance of Colour; Section XVII - Grey Objects Displaced by Refraction

Episode 16 · 6:53

Section XVIII - Coloured Objects Displaced by Refraction

Episode 17 · 19:50

Section XIX - Achromatism and Hyperchromatism; Section XX - Advantages of Subjective Experiments. - Transition to the Objective

Episode 18 · 11:02

Objective Experiments - Section XXI - Refraction Without the Appearance of Colour; Section XXII - Conditions of the Appearance of Colour

Episode 19 · 9:02

Section XXIII - Conditions of the Increase of Colour; Section XXIV - Explanation of the Foregoing Phenomena

Episode 20 · 8:27

Section XXV - Decrease of the Appearance of Colour; Section XXVI - Grey Objects ; Section XXVII - Coloured Objects; Section XXVIII - Achromatism and Hyperchromatism

Episode 21 · 11:14

Section XXIX - Combination of Subjective and Objective Experiments; Section XXX - Transition

Episode 22 · 8:24

Section XXXI - Catatropical Colours

Episode 23 · 11:11

Section XXXII - Paroptical Colours

Episode 24 · 17:22

Section XXXIII - Epoptical Colours

Episode 25 · 29:59

Part III - Chemical Colours - Section XXXIV - Chemical Contrast

Episode 26 · 3:25

Section XXXV - White; Section XXXVI - Black; Section XXXVII - First Excitation of Colour

Episode 27 · 10:23

Section XXXVIII - Augmentation of Colour; Section XXXIX - Culmination; Section XL - Fluctuation; Section XLI - Passage Through the Whole Scale

Episode 28 · 9:25

Section XLII - Inversion; Section XLIII - Fixation; Section XLIV - Intermixture, Real; Section XLV - Intermixture, Apparent

Episode 29 · 10:59

Section XLVI - Communication, Actual; Section XLVII - Communication, Apparent

Episode 30 · 8:26

Section XLVIII - Extraction; Section XLIX - Nomenclature

Episode 31 · 12:41

Section L - Minerals; Section LI - Plants

Episode 32 · 9:45

Section LII - Worms, Insects, Fishes; Section LIII - Birds

Episode 33 · 12:31

Section LIV - Mammalia and Human Beings

Episode 34 · 15:32

Section LV - Physical and Chemical Effects of the Transmission of Light Through Coloured Mediums; Section LVI - Chemical Effect in Dioptrical Achromatism;

Episode 35 · 7:59

Part IV - General Characteristics

Episode 36 · 18:10

Part V - Relation to Other Pursuits

Episode 37 · 30:04

Part VI - Effect of Colour With Reference to Moral Associations; Yellow; Red-Yellow; Yellow-Red; Blue; Red-Blue; Red; Green

Episode 38 · 18:15

Completeness and Harmony; Yellow and Blue; Yellow and Red; Blue and Red; Yellow-Red and Blue-Red; Combinations Non-Characteristic; Relations of the Combinations to Light and Dark; Considerations Derived from the Evidence of Experience and History

Episode 39 · 19:20

Aesthetic Influence; Chiaro-Scuro; Tendency to Colour; Keeping; Colour in General Nature; Characteristic Colouring

Episode 40 · 14:47

Harmonious Colouring; Genuine Tone; False Tone; Weak Colouring; The Motley; Dread of Theory; Ultimate Aim; Grounds; Pigments

Episode 41 · 13:10

Allegorical, Symbolic, Mystical Application of Color; Concluding Observations

Episode 42 · 8:56

Episodes